Author: Nora Roberts
Read copy: Mass Market Paperback
Published: May 1, 2000
Publisher: Jove
ISBN: 0515127833
ISBN-13: 9780515127836
Olivia's parents were among Hollywood's golden couples…until the night a monster came and took her mother away forever. A monster with the face of her father...
Sheltered from the truth, an older Olivia only dimly recalls her night of terror—but her recurring nightmares make her realize she must piece together the real story. Assisted by Noah Brady, the son of the police detective who found her cowering in her closet so many years before, she may have her chance. Noah wants to reconstruct the night that has become an infamous part of Hollywood history. He also wants to help Olivia and heal the longing in her lonely heart. But once the door to her past is opened, there's no telling what's waiting on the other side. For somewhere, not too far away, the monster walks again...
My rating:
When she was four, Olivia McBride found her father leaning over her mother’s mutilated body, covered in her blood, and ran in fear. She’s been running ever since, burying the memories, locking them away as she was taught by her overprotective grandmother.
Now, twenty years later, it seems running, hiding and burying of memories will come to an end. Her father has reached out of prison, contacting the only man Olivia has ever loved, the second man, after the one who sired her, to break her heart.
Noah Brady is a true-crime author, but writing the book about this particular murder isn’t just a job. It’s a calling. As son of the lead detective on the case, the murder, and the image of a distraught four-year-old girl, have stayed with him, and he knows he not only has to tell the story from all points of view, he needs to.
But neither Noah nor Olivia are prepared for the can of worms digging into the past might open.
“When you run away it comes after you, Liv. And it always catches up.”
If this book teaches any kind of lesson, it’s this. That there’s no point in running or hiding, the past (or anything for that matter) will eventually catch up to you. And the more you bottle it all up, the worse it will be. In this case, the combination of buried memories due to trauma, and the bubble she lived in afterward thanks to her grandmother, the bottling up turned the heroine into a bitch.
There’s no beating around the bush, here, she was a bitch. She got better, eventually, but the scenes I most remember her in are those in which she lashed out at Noah about and for everything. And he, the hero that he was, took it, took everything, and then came back for seconds.
It was this dynamic that ruined the “romantic” aspect of the book, because I didn’t feel the romance. Attraction, yes, passion, maybe, but it was all rather cold, without much emotion (except anger), dispassionate, and detached.
What I loved about the story were the descriptions of nature, the forest, meadows, flowers, fauna, bringing with them a strange feeling of peace and contentment, a welcome respite from the aforementioned tumultuous “relationship”.
I also loved the suspense, with the scenes delving into the past, flashbacks, and, most of all, the ominous feel as the climax approached. I knew almost immediately things were not as they seemed with the murder (a gut feeling, like with Frank), and soon after suspected how things truly were. And I wasn’t wrong. Although the truth was revealed almost at the end, and I knew what was what by then, I wasn’t disappointed with the finale.
Yes, it was predictable, but still written well enough to keep the suspense going, and yes, tug at a heartstring or two, when the bitter-sweetness of it all hit.
3 stars, bitchslappable heroine/hero, contemporary, contemporary romance, Nora Roberts/J.D. Robb, suspense/mystery/adventure/thriller
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